
In Visible Ink Interviews: Gina Williams and Guy Ghouse
Anika Baset speaks with Indigenous musicians Guy Ghouse and Gina Williams about the role of music and language in healing and strengthening Indigenous communities.
Anika Baset speaks with Indigenous musicians Guy Ghouse and Gina Williams about the role of music and language in healing and strengthening Indigenous communities.
Sarah Yeung reviews the In Visible Ink symposium, in light of the role of museums as both sites of trauma and healing.
This poem from Kim Waters explores the importance of freedom of speech and artistic expression.
Zoya Patel reflects on the state of women’s reproductive rights in Victoria, where a new case regarding safe access zones is heading for the High Court.
The right to protest is an abstract freedom, one that saw Fed Square swarmed by March for Men protesters. Madison Griffiths and Sam Biddle watched on.
Can you imagine living in the world’s least affordable city to buy a home? Here’s what the residents think about the unfolding housing crisis in Hong Kong.
Anika Basset reviews Patrisse Khan-Cullors’ memoir, When They Call You a Terrorist.
Sally Percival Wood’s book, Dissent: The student press in 1960s Australia, exemplifies the power students can wield against social and political injustices.
Why did the Queensland police and government use excessive force against Indigenous Australians who were protesting the Commonwealth Games?
Everything changes – In this poem Edward Caruso considers the importance of speaking up.
How her work in advocacy shaped her debut novel; how to combat slippery political rhetoric; and the hazards of the word ‘refugee’.
Writer Gary Smith looks at the price of conflict and war.