Between 1956 and 1963, the Australian government authorised British nuclear tests on Anangu country. ‘Old story, new story’ chronicles these events at Maralinga.
In this moment of rising authoritarianism and political theatre, Dave Clark reminds us not to lose sight of the cumulative effects of small shifts and injustices.
Sowing the Moon speaks to the slowness of suburban life and trying to live life under duress in Louisville, where the atmosphere of unrest is particularly pertinent in the central city during this time of protest.
As we approach another bushfire season, Bill Cotter recalls the devastation on Betka Beach after last summer’s fires and also the resilience of nature.
Farah Beaini, a Lebanese-Australian poet, shares a poem for her city and the Lebanese people following the recent explosions in Beirut.
Natalie D-Napoleon’s poem is from a body of work that explores motherhood, from both a political and personal perspective, and the silencing of women’s voices.
Moving the Darkness is a personal reflection, part eye-witness account of the recent mega fires ravaging the South Coast of NSW, where Freddy Iryss lives.
In her poems, Leila explores a personal sense of origin that, like the ocean, binds several landscapes and times, coming back to the idea that a timeless, boundless love pervades.
Bänoo Zan’s poem was written in the aftermath of countrywide protests against the sudden steep rise of fuel prices in Iran on November 15. Authorities shut down the Internet of the whole country and embarked on a horrific killing spree. Amnesty International has so far verified 208 deaths in less than a week.
Although Sandra Renew’s poem is a response to the police-led violence of the Bjelke-Petersen era in Queensland, it remains relevant to recent protests in which police seek to silence dissent.