Change is Gonna Come: Aboriginal Music and Activism
By Sylvie LeberRight Now columnist Sylvie Leber looks at the extraordinary history of Aboriginal music and activism – a history that the recent defunding of the Deadly Awards threatens to erase.
Right Now columnist Sylvie Leber looks at the extraordinary history of Aboriginal music and activism – a history that the recent defunding of the Deadly Awards threatens to erase.
Dario Mujkic highlights the importance of employees’ rights to freely discuss workplace grievances outside of their job, and how employers’ attempts to silence such voices can be countered.
ASIO’s new question and detention warrants are just one in a myriad of bills, acts and amendments that are summarised and scrutinised in a new book, writes Athena Rogers.
When does a basic human right become a “lifestyle choice” and who gets to define what those are?
The balance between the power of the State and the rights of individuals has suffered a blow with the passage of the Data Retention Bill, writes Law Institute of Victoria President Katie Miller.
Jon Stewart’s debut film is a moving exploration of endurance, freedom of expression, and the indomitability of the human spirit, writes Donna Lu.
Maggie Watson takes a look at artist Peter Drew’s project, Real Australians Say Welcome, which asks us to reflect on our views of asylum seekers and what it means to be Australian.
By channeling his own experiences into his work, multidisciplinary artist Sha Sarwari draws attention to the untold narratives of asylum seekers and invites the public to engage in conversations on this topic.
Arts activist Scotia Monkivitch devised a walked performance and installation to poetically engage the public in dialogue on border politics during the 2014 G20.
The murders of Charlie Hebdo journalists was a horrific tragedy. But that does not mean the “right to offend” is a cause we should champion, writes Somayra Ismailjee.
Documentary photographer Conor Ashleigh is running a series of creative storytelling workshops for Sydney migrant youth called “Seeing Summer.”
What’s the difference between bearing witness to an atrocity and being a voyeur?