Curated by Kaantju woman Shonae Hobson, the Bendigo Art Gallery’s first-ever First Nations Curator, Piinpi, is a landmark exploration of the cultural importance of Indigenous seasonal knowledge, community connection and storytelling in a contemporary context.
Angela Costi’s poem considers how the stories of newly arrived people can be undermined by legal definitions, how Australia’s migration law is designed to keep them in a state of ‘arrival’.
This sidelining of human rights makes it easier to subordinate human rights as less important than economic interests, writes Lee Carnie.
Kimberley Motley’s memoir tells of a personal mission to bring justice to the defenceless. This book is an extraordinary story of an extraodinary woman.
The Coalition of Supporters of Bernard Collaery and Witness K are calling for the prosecutions to be dropped, issuing a statement signed by leading public figures.
Aspects of the Federal Budget 2020-2021 have raised serious concerns for human rights in Australia. The following is a short overview of Right Now’s initial views on the budget.
“Who is that child not dancing like the other cats?” one of the other parents asked. Katy’s mother was stuck between embarrassment and intense pride. This is a story of courage, perseverance and overcoming adversity. Katy Barnett is a Professor at Melbourne Law School with extensive publications in private law and remedies law.
Australia remains the only democracy that does not have a specific law concerning compensation for those wrongfully convicted, despite scores of innocent people going to prison for crimes they did not commit.
Bill Mitchell OAM writes on the changes, challenges and victories of a welfare righter on the 30-year anniversary of Economic Justice Australia, the peak body for community legal centres.
Investigative journalist, John Martinkus, delivers a gripping and informative report on the violent conflicts and suppression of West Papua, taking place on Australia’s doorstep.
In Funny Weather, critic Olivia Laing makes a case for why art matters in these dark times, and questions the state of critical culture.
A lot of people may be questioning whether protests are the best way to apply pressure. The answer is that we haven’t yet found a better way.