Curated by Kaantju woman Shonae Hobson, the Bendigo Art Gallery’s first-ever First Nations Curator, Piinpi, is a landmark exploration of the cultural importance of Indigenous seasonal knowledge, community connection and storytelling in a contemporary context.
Chip Jones’ new book is a brilliantly researched exploration of a facet of the racial inequality that has long plagued the medical profession.
Based on the true story of a woman wrongfully detained in offshore detention, Stateless challenges our capacity for empathy.
Filmmakers Jesse Moss and Amanda McBaine reflect on the tensions arising from an atmosphere of budding masculinity and divisive politics in their 2020 documentary Boys State.
Kimberley Motley’s memoir tells of a personal mission to bring justice to the defenceless. This book is an extraordinary story of an extraodinary woman.
Aspiration and disillusionment come to the fore in Anna Wiener’s memoir, Uncanny valley, as she charts the rise and fall of the tech start-up industry.
Not a psychological thriller, nor a whodunnit, Jessica Moor’s debut novel, The Keeper, is emphathic and diligent in it’s efforts to move issues surrounding domestic violence into the mainstream
Patrick Mullins’ latest is the first full account of the publishing industry players that helped bring the end of literary censorship in Australia
In 2019, a leaderless protest movement may have changed Hong Kong forever. Antony Dapiran’s latest provides a detailed analysis of the movement and the city
Investigative journalist, John Martinkus, delivers a gripping and informative report on the violent conflicts and suppression of West Papua, taking place on Australia’s doorstep.
In Funny Weather, critic Olivia Laing makes a case for why art matters in these dark times, and questions the state of critical culture.
This collection explores the varied experiences of living in the Arab diaspora in Australia, countering the portrayal of the Australian media, which ranges from homogenisation to racism.