Queer Screen is back! But, this year, it’s streaming online. Queer Screen is a world-renowned film festival, regarded as one of the most significant platforms for LGBTQI+ filmmakers to showcase their important work.
MIFF 68 1/2, 2020’s online version of the festival, is streaming across Australia from 6-23 of August. MIFF is bringing to the country another round of captivating and inspiring films and our writers discuss four of Right Now’s top picks.
Nick Cook’s new book is the incredible story of communities taking action and fighting back. Amidst the dark years of an epidemic, marginalised communities rallied to protect their own, forming organisations to give themselves a voice.
Equal parts funny, empowering and moving, Lindy West’s book of essays The Witches Are Coming focuses on feminism and protest, asking us not to despair, but to be empowered and to act.
In San Francisco four refugees arrive fleeing harassment and violence, only to find that their freedom in the US is still uncertain. In the age of Trump’s anti-immigration, seeking asylum can take years and too often they find themselves struggling with basic human rights and needs.
For They Know Not What They Do shines a light on love, gender, sexuality and faith. Focusing on gay and transgender Americans and their devout families, it gives an insight into the mechanics and struggles of acceptance.
The story of a terrifying period in modern history, 5B chronicles how one ward became a standard of genuine human care in a realm of fear mongering and paranoia.
Right Now previews Queer Screen’s 27th annual Mardi Gras Film Festival, focusing on belonging on a global scale and the struggles of LGBTQIA+ people.
Edited by Benjamin Law, Growing Up Queer in Australia brings together a diverse and moving array of voices that spans the identity spectrum.
In light of the voluntary assisted dying bill currently before the Western Australian parliament, Janelle Koh considers voluntary assisted dying from a critical rights perspective, and queries whether a right to a good death may operate with unequal effect upon minority populations.
This story follows Luke, whose legal name is Leila, as he navigates what it means to be trans as a young person in the school yard and at the gender diverse clinic. We see the prejudice and pressures that can exist in both places.